Where has the decline in flow TV, and the rise of online viewing left us? What are the stories that potentially work for international audiences? If such audiences even exist? Three leading figures in the international documentary industry share their point of view on the documentary landscape.
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Hanka Kastelicova, HBO Max
Mark Edwards, Independent Consultant
Renaud Allilaire, France Télévisions
Ove Rishøj Jensen, Fipadoc
In English only