Stups

Réalisation
Alice ODIOT, Jean-Robert VIALLET

A large metal door that slides open to let in police vans. Men come out, with their stories. Walls, gaols, stone staircases, courtrooms, backstage, tears, cries, glances. The Marseille court is overwhelmed by drug cases. The people on trial there are the managers of an economy of chaos. They are also the small-scale workers in the drugs trade, children who have grown up alone. Below, the port, in the distance, the outlying districts, the boiling city, full of its wounds. And its beauty too.

Réalisé par
Alice ODIOT, Jean-Robert VIALLET
Photographie
Antoine HEBERLÉ & Jean-Robert VIALLET
Montage
Catherine CATELLA
Musique
Marek HUNHAP
Son
Jean-Michel TRESALLET
Production
Unité
Bruno NAHON (Unité)
Distribution
JHR Films

Réalisé par

Alice ODIOT

Alice Odiot has spent nearly ten years documenting how the prison administration in Marseille handles delinquency, as shown in Men Inside (selected by ACID Cannes 2019 and winner of Best Film at the London International Documentary Festival), co-directed with JR Viallet. She has also examined the justice system and police in Stups, an upcoming documentary set to be released in 2025, co-directed with JR Viallet.  She has worked on numerous investigations for Arte, France Télévisions, and RTBF. Her film Made in France, co-directed with Sophie Nivelle-Cardinale and filmed between Gaza and Europe, recounts the groundbreaking investigation into the first lawsuit against a French arms manufacturer for complicity in war crimes.  Her first documentary, Zambia : good copper, bad copper ? earned the Albert Londres Prize in 2012.

Jean-Robert VIALLET

Jean-Robert Viallet is a filmmaker and journalist. He received the Albert Londres prize in 2010 for his trilogy La Mise à Mort du Travail, an immersion into the world of globalized corporations. His work focuses on the grey areas that lie within instances of power, on the fractures within modern society and environmental issues. Indeed, he turned his interest for the dangerous ties that exist between arm sellers and French political parties into a six-episode documentary series. The paper Le Monde deemed it to be: “As gripping, sharp and humanely powerful as the best fictional series, Manipulation, une histoire francaise, must be re-watched without interruption, the six episodes all in one go, to best enjoy the exhilarating and terrifying dramaturgy.” Viallet recently finished writing L’Homme a mange la terre, an archival saga that recounts the history of progress. His latest film, Des Hommes, was selected for the ACID-CANNES 2019 festival and premiered in theatres in February 2020.

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